shithub: sox

--- a/sox.1

+++ b/sox.1

@@ -276,25 +276,25 @@

.SP

 mixes together two audio files.

.SP

-	play "01 - The Power Of Love.ogg" bass +3

+	play \(dq01 \- The Power Of Love.ogg\(dq bass +3

.SP

 plays an audio file (through the default sound device) whilst applying a

 bass boosting effect,

.SP

-	play \-c4 \-\- \-c1 synth sin %0 sin %3 sin %7 sin %10 vol 0\*d7 avg fade q 0\*d1 1 0\*d1

+	play \-c 4 \-\- \-c 1 synth sin %\-12 sin %\-9 sin %\-5 sin %\-2 vol 0\*d7 avg fade q 0\*d1 1 0\*d1

.SP

-plays a synthesised A-minor-seventh chord with a pipe-organ sound,

+plays a synthesised `A minor seventh' chord with a pipe-organ sound,

.SP

 	rec test.aiff trim 0 10

.SP

 records 10 seconds of audio using default parameters, and

.SP

-	rec -c 2 take1.aiff

+	rec \-c 2 take1.aiff

.SP

 starts a stereo recording that will finish when the interrupt key (often

 Ctrl-C) is pressed.

.SP

-More examples can found thoughout this manual and in the

+Other examples can found thoughout this manual and in the

 separate

 .BR soxexam (7)

 manual.

@@ -1821,11 +1821,11 @@

.SP

 	sox \-\- output.au synth 0\*d5 sine 200\-500 synth 0\*d5 sine fmod 700\-100

.SP

-Frequencies can also specified in terms of musical semitones relative to

-`middle A' (440Hz);  the following could be used to help tune

-a guitar's `low E' string:

+Frequencies can also be given as a number of musical semitones relative

+to `middle A' (440Hz) by prefixing a `%' character;  for example, the

+following could be used to help tune a guitar's `E' strings:

.SP

-	play \-\- synth sine %\-5

+	play \-\- synth sine %\-17

.SP

 .B N.B.

 This effect generates audio at maximum volume, which means that there